Mostre personali

‏2011
The Dynamic Dead Roee Rosen, Ujadowski Castle, Varsavia (catalogue)

2009                       
The Confessions of Roee Rosen, Center of Contemporary Art, Tel Aviv (catalogue)
Roee Rosen/ Justine Frank, Extra-City, Antwerp

2007                       
Confessions Coming Soon, Rosenfeld Gallery, Tel Aviv

2006                       
Ziona and the Twins, Rosenfeld Gallery, Tel Aviv
Justine Frank: A selection, John Hope Franklin Center, Duke University, North Carolina

2003              
Justine Frank: A Retrospective, Herzliya Museum of Art, Israele (catalogue)
Lavie Suite and Other Paintings, Rosenfeld Gallery, Tel Aviv

2000                      
Two Books: Lucy and A Different Face, Rosenfeld Gallery, Tel Aviv
Lucy: The Origins, Kibbutz Be'eri Gallery, Israele

1997                      
Live and Die as Eva Braun, The Israel Museum, Gerusalemme (catalogue).

1996                      
Professionals, Artists' Studios, Tel Aviv (catalogue).

1994                      
Martyr Paintings, The Museum of Israeli Art, Ramat-Gan, Israele (catalogue).

1992                      
The Blind Merchant, Bugrashov Gallery, Tel Aviv, Israele.

1991                      
Happy Paintings, Hunter Gallery, New York.

1988                      
School of Visual Arts Gallery, New York.

1986                      
Sharet Gallery, Givataim, Israele



Filmografia

2010              
Hilarious, 22 minutes
Out, 36 minuti

2008                
The Confessions of Roee Rosen, 57 minuti
Gagging During Confession: Names and Arms, 4'38 minuti

2007                
Confessions Coming Soon, 8’40 minuti
I Was Called Kuney-Lemel, 4'15 minuti

2005                
Two Women and A Man, Joanna Führer-Ha’sfari on Justine Frank 17 minuti.

2004               
(Editor), The Zionist Ventriloquist, A Compilation of Video Hits, 58 minuti.
Guest editor, Roee Rosen — An Intimate Report, Israel’s Channel 2, 55 minuti.
Dr. Cross, A Dialogue; first performed: February, 1994, The West End Gate, New York. Video Version: 15 Minuti.



Alcune mostre collettive

‏‏2010
"Stop Making Sense," Oslo Kunstforening, Norvegia (catalogue)
"Trembling Times: Recent Videos form Israel," Tate Modern, Londra
"The Calm Before the Storm," Winzavod Art Center, Mosca
The Narcissism on Minor Difference, Maryland Institute College of Art
A Thousand Endless Tales – Dancing the Line of Flight (Story Telling), Whitespace, Zurigo
Evet, Ha'Midrasha gallery and Rosenfeld gallery, Tel Aviv.
Mobile Archive,
Stacion Center for Contemporary Art in Prishtina, Kosovo
The International competition, The 56th International Short Film Festival Oberhausen, Germania (catalogue)
FIDMarseille Festival, Marsiglia (catalogue)
Sarajevo Film Festival, Bosnia and Herzegovina

2009
"They Told You So," Bitforms gallery, New York City
"Tina B.," The Prague Contemporary Art Festival, Praga (catalogue)
"Fireflies," The Center for Contemporary Art, Tel Aviv
"The Invisible Hand," Sommer Contemporary Art, Tel Aviv
"Israel," Golden Gate Gallery, Tel Aviv
Degenerate Art, Dan Gallery, Tel Aviv
Artists at Work, The Left Bank, Tel Aviv
Sex/Logy, Rosenfeld Gallery, Tel Aviv
Drama of Identities, Beth HaTefutsoth, Tel Aviv
Beneath the Surface, the Morel Derfler Gallery, Musrara, Gerusalemme
Ambulante International Film Festival, Messico (catalogue)
Valdivia International Film Festival, Cile
Pesaro International Film Festival, Italia
Festival of Confusion, Beursschouwburg Art Center, Brussels

2008
Manifesta 7, Trento, Italia (catalogue)
FIDMarseille Festival, Marsiglia (catalogue)
Viennale 2008 main program, Vienna (catalogue)
Doc Buenos Aires (catalogue)
Access II, The Jewish Museum, Francoforte (catalogue)
The International competition, The 54th International Short Film Festival Oberhausen, Germania (catalogue)
Demons, Bat-Yam Museum of Art, Israele (catalogue)
Copenhagen International Documentary Film Festival (catalogue)
Zinebi International Festival, Bilbao Museum of Fine Arts, Spagna
23rd Mar Del Plata International Film Festival, Buenos Aires, Argentina
Mostra Invideo Festival, Milano (catalogue)
Eventually We'll Die, Young Art in Israel of the Nineties, Herzliya Museum of Art, Israele (catalogue)
Chosen, The Israeli Centre for Digital Art, Holon; Wyspa Institute of Art, Gdansk, Polonia (catalogue)
Internazionale!, The Left Bank, Tel Aviv-Jaffa
The Tyranny of the Transparent, Minshar Gallery, Tel Aviv
Dead End, Rosenfeld Gallery, Tel Aviv
A Gift, Artopia Poria 8, Jaffa
Self Portrait, Cabri Gallery of Israeli Art, Israele
Strata of Memory, The Artists' House, Tel Aviv (catalogue)
Good Kids, Rosenfeld Gallery, Tel Aviv

2007
the 29th International Women Directors Film Festival, créteil, Francia (catalogue)
Jerusalem Film Festival
Women Make Waves Film Festival, Taipei, Taiwan
BoysCraft, Haifa Museum of Art (catalogue)
Handiwork, Beit Ha'Gefen, Haifa (catalogue)
This Is Not Israeli Art, Tmuna Theater, Tel Aviv
Desert Generation, Forty Years of Occupation, The Artists’ House, Gerusalemme
The Rear, The First Biennial of Contemporary Art, Herzliya Museum of Art, Israele (catalogue)
Visual Israeliness, The Dorothea de Rothschild Open University Campus, Raanana, Israele (catalogue)
The Last Painting, Tova Osman Gallery, Tel Aviv
From Raffi Lavie’s House, Givon Gallery, Tel Aviv
Pornography My Love, The Artists’ House, Tel Aviv
Teachers, Ofakim and Ramalla municipal highschools, Israele
Coerced Choice, Barbur, Gerusalemme
Geld & Guilt, Artneuland, Berlino

2006
Raft of the Medusa, Israeli Art and the Monster of Self Identity, Krolikarnia, National Museum of Poland, Varsavia; National Museum, Cracovia (catalogue)
Apropos Les Demoiselles, Petach-Tikva Museum of Art, Israele
The International competition, The 52nd International Short Film Festival Oberhausen, Germania (catalogue)
Impakt Festival, Utrecht, Olanda
DOK LEIPZIG, 49 Internationales Leipziger Festival für Dokumentar und Animationsfilm (catalogue)
Cinematexas 2006 International Short Film Festival, Dallas
Far and Away, The Fantasy of Japan in Contemporary Israeli Art, The Israel Museum (catalogue)
Tracing Shadows, The Israel Museum
Men, The Museum of Israeli Art, Ramat-Gan, Israele (catalogue)
The Rafi Lavie Collection, The Museum of Art, Ein Harod, Israele

2005
Die Neuen Hebräer, Martin Gropius Bau, Berlino (catalogue)
Beauty and the Book, The Israel Museum, Gerusalemme
Auto/Biography, Herzliya Museum of Art, Israele
1889 (Branau, Austria) – 1945 (Berlin, Germany), Rosenfeld Gallery, Tel Aviv
Three Cities Against the Wall, Al-Hallaj Gallery, Ramallah; ABC No Rio, Voxpop and Sixth Street Community Center, New York City; The Artist House, Tel-Aviv (catalogue)
Blanks, The Center for Contemporary Art, The Rachel and Israel Pollak Gallery, Tel Aviv (catalogue)
Halshanot, Ha’Midrasha Gallery, Tel Aviv

2004
One Pink Rose, Organic Art in a Digital Era, an exhibition held at the prison cells of “refusers,” Miltiary Jail number 6, Israele
Fallout, Ha’Midrasha Gallery, Tel Aviv
Sharon, Rachel and Israel Pollak Gallery, Tel Aviv (catalogue)
Hot Days, Rosenfeld Gallery, Tel Aviv
Videozone 2 International Festival, Israele (catalogue)
Homage To Hanoch Levin, Haifa Museum of Art (catalogue)
No New People, Time For Art, Tel Aviv


2003                       
The Promise, The Land, The O.K. Center of Contemporary Art, Linz, Austria (catalogue)
Wonderyears—New Reflections on Nazism and the Shoa in Israel, Kunstraum Kreuzberg/NGBK, Berlino (catalogue)
The Claim of Images, Jewish Perspectives in Modern Art, Museum Bochum, Germania (catalogue)
Chopsticks, Ha’Midrasha Gallery, Tel Aviv
There Are Flowers, ‘Kav 16’ Gallery, Tel Aviv

2002                       
Mirroring Evil: Nazi Imagery/ Recent Art, The Jewish Museum, New York (catalogue)
(Artist and co-curator) Imagine, Artists For Co-Existence, Um-El-Fachem Art Gallery, Um-El-Fachem and Rosenfeld Gallery, Tel Aviv
Side-Effect, Ha’Midrasha Gallery, Tel Aviv

2001-2003          
Il Dono - The Gift, Palazzo Delle Papesse, Siena; Candiani Cultural Center, Venice; Scottsdale Museum of Contemporary Art, Arizona; Bronx Museum, New York; Mary and Leigh Block Museum of Art, Northwestern University, Illinois, Art Gallery of Hamilton, Ontario (catalogue)

2001                       
I Slept With Ari Libsker, The Free Academy Art Pavilion, Tel Aviv
(Artist and co-curator) The Thirty Third Year: Artists Against Israel's 'Strong Hand' Policy, Beit Ha'Am Gallery, Tel Aviv
Self Portrait, Bezalel Academy Gallery, Tel Aviv

2000-2001         
The Angel of History, Herzliya Museum of Art, Israele (video catalogue)

2000                      
The Republics of Art: Israel, Palazzo Delle Papesse, Siena (catalogue)
Arieh Aroch: Erections in Israeli Art, Ha'Midrasha Gallery, Tel Aviv

1999                      
(Artist and co-curator) Regarding Raffi, Ha'Midrasha Gallery, Tel Aviv

1998-9                  
Good Kids, Bad Kids, 'Childliness' in Israeli Art, The Israel Museum, Jerusalem (catalogue)

1998                      
Forbidden, Ami Steinitz Contemporary Art, Tel Aviv
Recommended Retail Price, The Pyramid, Haifa

1997
Imprisoned Without a Trial, Beit-Ha'Am, Tel Aviv
Ha'Midrasha, The Museum of Israeli Art, Ramat Gan, Israele (catalogue)
I/zkor, Ami Steinitz Contemporary Art, Tel Aviv

1995                      
Shades of Sexuality, The Artists' House, Gerusalemme (catalogue)

1994                      
Anxiety, The Museum of Israeli Art, Ramat Gan, Israele (catalogue)
Petty Schemes & Grand Designs, 319 Grand, New York

1990                      
Markings, curated by Yony Koenig, New York.
Re-Configuring Bodies, Hunter Gallery, New York (catalogue)

1987                      
NYU, Annual Small Work Exhibition, New York

1985                      
Sir-Lahatz, The Jerusalem Theater, Gerusalemme (catalogue)
Shfayim 85. Israel (catalogue)



PUBBLICAZIONI

 Sweet Sweat – Justine Frank, English translation by the author (Berlin and New York, Sternberg Press, 2009); originally published in Hebrew(Tel Aviv, Babel Publishing House, 2001)
[Hebrew] Ziona™, a novel (Tel Aviv, Keter Books, 2006)
[Hebrew] A Different Face (a children book), (Or-Yehuda, Israel, Hed Artzi Press, 2000)
[Hebrew] Lucy, translated from English by the author (Tel Aviv, Shadorian Press, 2000); original Xerox edition in English, 20 copies, 1992

LIBRI D’ARTISTA E PROGETTI SPECIALI

Ha’Aretz Haram Al-Sharif (political work in Xerox for The Thirty Third Year exhibition; 40 copies, 2001); abridged version reprinted in: Plastica Journal, number 4 [Tel Aviv, 2002], pp. 82-90.
Live and Die as Eva Braun, an Illustrated Proposal for a Virtual Reality Scenario, Not to Be Realized, Bilingual edition in Hebrew and English (Jerusalem, The Israel Museum, 1997)
Live and Die as Eva Braun, an Illustrated Proposal for a Virtual Reality Scenario, Not to Be Realized, Bilingual edition in Italian and English, translated to Italian by Martino Marazzi (Siena, Palazzo Delle Papesse, 2000)
The Blind Merchant (Original Text, and the Complete Text of Shakespeare's "The Merchant of Venice," 145 Drawings, 81/2" X 11"; Archival Edition: 7 Copies), 1989-1991
The Education of A Marginal Saint (Xerox edition), 1988



PUBBLICAZIONI IN INGLESE

(For published writings in Hebrew, refer to the Hebrew résumé).

2010
"The Law is Laughing," reprinted in: Robert Kluijver, editor, Borders, Contemporary Middle Eastern Art and Discourse, Gemka, The Hague, pp. 105-108

2009
The Confessions of Roee Rosen (Tel Aviv, CCA, 2009)
The Law is Laughing: Fragments Following the War in Gaza, http://branding-democracy.org/?q=node/199

2008
"Roee Rosen – Confessions: A Conversation with Avi Pitchon," Manifesta7 Companion (Silvana Editoriale), pp. 220-224

2006
An excerpt from the novel “Ziona™,” translated by Anthony Berris, Modern Hebrew Literature, Number 3 (London, the Toby Press), pp. 103-107

‏2005
“Terrible, Dangerous New Hebrews, on Zoya Cherkassky and Igal Zak,” Zoya vs Igal (exhibition brochure, GDK, Berlin)

2004
“The Zionist Ventriloquist,” VideoZone 2 (the Center for Contemporary Art, Tel Aviv), pp.67-73 

2001
“On Justine Frank,” [English and Italian] in: Antonio Somaini, editor, The Gift, Generous Offerings, Threatening Hospitality (Milan, Charta), pp. 436-437.
"Scatology and Other Uncanny Delights, Getting Dirty with Mike Kelley [first published in 1994]," translated by Oran Moked, in: Video One: Body-Screen-Digitalia (Exhibition Catalogue, Haifa Museum of Art), pp. 112-132.
"The Secret of Bureaucratic Beauty," Jonathan Gould: Ideal Types (Exhibition catalogue, Rosenfeld Gallery, Tel Aviv).
Tamar Getter, Aim Deuelle Luski and Roee Rosen, "The Thirty-Third Year, Artists Against Israel's 'Strong Hand' Policy–Curator's Statement," (published bilingually in Studio Art Magazine, number 121, and distributed through gallery venues and the web)

1998     
"The Visibility and Invisibility of Trauma: on Traces of the Holocaust in the Work of Moshe Gershuni and in Israeli Art," Jerusalem Review, number 2 (Tel Aviv, Ah'shav), pp. 98-118.
"Quality Time, On Maggie Cardelús' Taglio, L'Origine du Monde (II)," in: Maggie Cardelús, Matrix  (Almagro, Galer'a Fúcares)

1996     
"Beyond Idomania," Ido Bar-El: Construction Works (Herzliya Museum of Art, Israel).
"Less and More Than Two," Ariela Shavid: Beauty is a Promise of Happiness (The Israel Museum, Jerusalem).                                

1992     
Art, Money, Identity, Fragments From Contemporary American Art, The Tel Aviv Museum Press, 1992, 40 pp., Illustrated.



BIOGRAFIA

Books and Essays
Naomi Aviv, The Raft of Medusa, Israeli Art and the Monster of Self-Identity, translated by Michal Sapir (Warsaw, Krolikarnia, 2006)
Ariella Azoulay, Death's Showcase, The Power of Image in Contemporary Democracy, translated by Ruvik Danielli (Cambridge, MA, The MIT Press, 2001).
“The Return Of the Repressed” / “Die Wiederkehr des Verdrängten,” in: Tsafrir Cohen, Avi Pitchon and Mirjam Wenzel, editors, Wonderyears, New Reflections on the Shoah and Nazism in Israel (Berlin, NGBK, 2003), pp. 59-75.
Tsafrir Cohen and Mirjam Wenzel, “On the Dangers of Monumentalization and the Attempt of an Intimate Examination” / “Von den Gefahren der Monumentalisierung und dem Versuch einer intimen Auseinandersetzung,” in: Cohen, Pitchon and Wenzel, editors, Wonderyears, pp. 9-21.
Roberto M. Dainotto, "A portrait of the Artist as a Young Martyr," in: Roee Rosen, Martyr Paintings,  (Exhibition catalogue, Ramat-Gan Museum, 1994).
Sidra DeKoven Ezrahi, “Acts of Impersonation: Barbaric Spaces as Theater,” in: Kleeblatt, editor, Mirroring Evil, pp. 17-38
Edna Goldstaub-Dainotto, "Roee Rosen's Martyrs: Wicked Hagiographies," in: Roee Rosen, Martyr Paintings,  (Exhibition catalogue, Ramat-Gan Museum, 1994).
Shelley Hornstein et al, editors, Impossible Images: Contemporary Art After the Holocaust (New York, New York University Press, 2004)
Norman L. Kleeblatt, “Male Fantasies of Hitler: Confusing Gender and Identity; Roee Rosen’s Live and Die as Eva Braun,” in: Kleeblatt, editor: Mirroring Evil, Nazi Imagery/ Recent Art (New York, The Jewish Museum and Rutgers University Press, 2001), pp. 101-104.
Mira Lapidot, Far and Away, The Fantasy of Japan in Contemporary Israeli Art (The Israel Museum, exhibition catalogue, 2006).
Edward Lucie-Smith, Movements in Art Since 1945, New Edition (New York and London, Thames & Hudson, 2001), pp. 268-269.
Edward Lucie-Smith, Art Tomorrow (Paris, Editions Pierre Terrail, 2002), pp. 99-101.
Dalia Manor, "From Rejection to Recognition, Israeli Art and the Holocaust," Israel Affairs, volume 4, numbers 3 & 4 (London, Frank Cass Journals, 1998), pp. 253-277.
Essay reprinted in: Stephen E. Feinstein, editor, Absence / Presence, Critical Essays on the Artistic
Memory of the Holocaust (Syracuse, Syracuse University Press), pp. 194-218.
Alec Mishory, Visual Israeliness (2007, Raanana, Israel, The Open University)
Maaria Oikarinen, “Holokaustin Hahmoja,” Historiallinen Aikakauskirja (Finland, February 2004), pp. 177-190.
Jeanne Pearlman, “The Jewish Museum, Mirroring Evil: Nazi Imagery/ Recent Art,” in: Pam Korza and Barbara Schaffer Bacon, editors, Museums and Civic Dialogue, Case Studies from Animating Democracy (Washington DC, Americans for the Arts, 2005), pp. 21-50.
Gene Ray, “The Trauerspiel in the age of its Global Reproducibility: Boaz Arad's Hitler Videos,” Afterimage, September-October 2003
Roger Rothman, "Mourning and Mania, Roee Rosen's Live and Die as Eva Braun," in: Roee Rosen, Live
and Die as Eva Braun (The Israel Museum, Jerusalem, 1997).
Sarit Shapira, "The Suppressed Syndrome: Holocaust Imagery as a Taboo in Israeli Art," The Israel Museum Journal Volume XVI, summer 1998, pp. 35-46.
Joshua Simon, “Vivre sa vie, Thoughts About Justine Frank Upon the Retrospective at the Herzliya Museum of Art,” Studio Art Magazine, number 140, February 2003 [English abstract of an essay in Hebrew], pp. 95-96.
"Thoughts on the Aesthetics of Terror in General and Suicide Bombers' Videos in Particular," in: Joshua Simon and Manon Slome, editors, The Aesthetics of Terror (Milano, Charta, 2009)                       
Antonio Somaini, "Roee Rosen," in: Art and Artists From Israel and Palestine [English and Italian] (Siena, Palazzo Delle Papesse, 2000), pp. 116 and 162-163. 
Ellen Handler Spitz, “Childhood, Art and Evil,” in: Kleeblatt, editor, Mirroring Evil, pp. 39-52.
Ilana Tenenbaum et. al., Anxiety (exhibition catalogue, Ramat Gan, 1994).
Ernst Van Alphen, “Toys and Affect: Identifying with the Perpetrator in Contemporary Holocaust Art,” Australian and New Zealand Journal of Art, volume 2, number 2, 2001 and volume 3, number 1, 2002, pp. 159-190.
Ernst Van Alphen, Art in Mind, How Contemporary Images Shape Thought (Chicago & London, the University of Chicago Press, 2005).
Moshe Zuckermann, Roee Rosen, “Das Bewußtsein von den Abgründen des Nichts – Gespräch über das Verhältnis von Kunst und Geschichte,” in: Moshe Zuckermann, editor, Tel Aviver Jahrbuch für deutsche Geschichte XXXIV (2006), Geschichte und bildende Kunst (GöWallstein verlag, 2006), pp. 15-36

Articles and Reviews (by date)

Larry Derfner, "The Holocaust According to Eva Braun," The Jerusalem Post, November 14, 1997, p. 16.
Inge Günther, "Anschließend in die Holle," Berliner Zeitung, November 26, 1997.
Unsigned, "Nuzzling With The No. 1 Nazi," Newsweek, December 8, 1997, p. 6.
David B. Green, "Shock Treatment," The Jerusalem Report, Volume VIII, no. 16, December 11, 1997, pp. 42-43.
Meir Ronnen, "Eva Braun Artwork Causes Outcry," ARTnews, volume 92, number 1 (New York, January 1998), p. 68.
Dana Gilerman, “I Didn’t Know Her Well,” Ha’aretz English Edition, September 27, 2000.
Deborah Sontag, "Tel Aviv Journal: New Conflict Begets Culture War by Israeli Artists," The New York Times, January 15, 2001
Michael Kimmelman, “Evil, the Nazis and Shock Value,” The New York Times, March 15, 2002, pp. E33, E35
Leslie Camhi, “Peering Under the Skin of Monsters,” The New York Times, Arts and Leisure section, March 17, 2002, pp. 36, 39.
Daphne Merkin, “Forget ‘Is It Good For the Jews.’ Is ‘Nazi’ Exhibit Good For Art?” Forward, March 22, 2002
Blackhawk, “Mirror, Crack; Fade to Black…” http://bbs.thing.net, March 22, 2002
Elisabeth Franck, “Urine Trouble,” The New York Observer, March 25, 2002, p. 1
Roy Edroso, “The Banality of ‘Evil’,” Alicubi Journal, New York, April 2002
Linda Nochlin, “On Mirroring Evil: Nazi Imagery, Recent Art,” Artforum, summer 2002, pp. 167-168, 207.
Smadar Sheffi, “The Invented Jew,” Haaretz Guide English Edition, February 7, 2003, p. 17.
Gil Goldfine, “Vases of Tragedy,” The Jerusalem Post, February 14, 2003, p. B14.
Claus Philipp, “Landvermesser und andere Akteure,” Der Standard, March 7, 2003, p. 25
Tsafrir Cohen, “Andere Wege zur Shoah. Gespräch mit dem israelischen Künstler Roee Rosen,” Kommune, Forum für Politik, Ökonomie, Kultur, 4/03, Berlin, August-September 2003, pp. 77-80
Dana Arieli-Horowitz, “On ‘Mirroring Evil’,” Studies in Contemporary Jewry, vol. 19 (New York, Oxford University Press, 2004), pp. 290-293
Gil Goldfine, “Picture Imperfect,” The Jerusalem Post, November 25th, 2005, p. 36
Cécile Brisson, [English and French], "1re Biennale d'art contemporain, Herzliya," Art Press 341, January 2008, pp. 73-74
Laura Kern, "Stalags, Eyeing Pornography that Uses the Holocaust as Titillation," New York Times, Wednesday, April 9, 2008: (The Arts, page E6)
J. Hoberman, "Horniness Meets Horror in Stalags," Village Voice, Wednesday, April 9, 2008: Reviewed by J. Hoberman (Film, page 90)
David Fear,"Stalags review," Time Out New York, April 10-16, 2008: (Film, page 99, issue 654)
J?rg Heiser, What is 'What Is Art'?, Frieze Magazine editor's blog, October 2008: http://www.frieze.com/blog/entry/what_is_what_is_art_hirst_manifesta_fey_as_palin_pt_2/
J?rg Heiser, Greetings From Benelux, Frieze Magazine editor's blog, February 2009: http://www.frieze.com/blog/entry/greet/
Aaron Schuster, "Justine Frank, Extra City," Frieze Contemporary Art and Culture, number 123, May 2009
Stuart Comer, "'Video Israel' at Tate Modern, Winter 2010," Programma Magazine number 1, September 2009, pp. 176-177
Primary Information, "Best of 2009: Roee Rosen's 'Justine Frank, Sweet Sweat," Artforum, December 2009, p. 81
Jörg Heiser, Torture and Remedy: The End of Isms and the Beginning Hegemony of the Impure, e flux Journal, http://www.e-flux.com/journal/view/100
J?rg Heiser, "What is Appropriate? The Role of Art in Responding to the Holocaust," Frieze, issue 130, April 2010, pp. 92-97